On the Baha’i Cluster As a Work of Art: The process of artistic creation is iterative as is the process of creating community
By george wesley dannells on Aug 31, 2009 in All categories | Comments Off
Yesterday during a Ruhi Book 2 refesher on giving the deepening themes during home-visits I was reminded again of the importance of the incorporation of the arts in community-building. We practiced using these images in presenting the theme of the Covenant. A very artful idea!

I thought of our weekly Baha’i devotional which, through the incorporation of the arts, has developed a vibrant life of its own, propelling itself forward week after week. And then I note today that the significance of the arts to community-building was the theme of the keynote address at the Association of Baha’i Studies in D.C. earlier this month. -gw
Otto Donald Rogers’ Balyuzi lecture was a highlight of the conference. He challenged the community to consider the arts as both an intellectual and spiritual endeavour. Addressing four themes of intellect, space, process and form, he took the audience on a detailed journey of the creative process as a means of exploring realities that exist on the cusp of the material and spiritual. The talk itself was preceded by a beautiful sung rendition of the Tablet of Ahmad, to which Mr. Rogers, deeply moved, made several references as an example of his theme. Four sets of Mr. Rogers’ abstract works were displayed for 15 minutes each during the talk, allowing the audience to consider his thesis that universal realities are captured in abstract art.
His talk wove together mystical elements surrounding the life of an artist with those from the practical dimensions of community life together. Mr. Rogers also explored the aesthetic beauty of the writings of Bahá’u’lláh, provided various metaphors from nature to emphasize the inherent unity among creation, and the interdependent relationship between them.
In relation to current activities of the Baha’i community, one audience member, Pejman Mosleh, was moved to comment after the talk, “The cluster is a work of art where the teacher drops from the edge, like a waterfall at ease with what awaits it. [That] was Don Rogers’ pictorial description of the work of the plan before us, and of the confluence of the human heart and its environment. So elegantly simple, so simply elegant.”
Rogers explained the process of his work: “I walk into the studio and I see an empty canvas.” This empty canvas is physically bound in space, and intellectually open to the process and form of art. “I have to keep (this space) alive and together so it doesn’t fly off the edges. One must be absolutely precise,” he said. He compared keeping this space alive as similar to the fine tuning of a musical instrument. The use of this space is important, he added. “The mystic knower in Bahá’u’lláh’s Seven Valleys said ‘the death of self’ is needed here, and I think of this every time I go into the studio. I bring my mind to that edge and I allow the process to move me forward, I run to stay behind the process, to stay up with it. The process has a mind of its own.”
He then likened the artistic process to community-building; the process of artistic creation is iterative as is the process of creating community.





“When a thought of war comes, oppose it by a stronger thought of peace.” 


